THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be craving romantics, using this type of variation: Buster appears a plausible mate, as well as Tramp barely seems to possess a libido, only idealized notions. If their comedies had been designed in a far more liberated time, it is feasible to imagine Keaton in bed with a lady, but disquieting to consider the Tramp as a sexual currentl